Found pieces of asphalt and cement infrastructure, clay, bells, wax, wood, fabric, chain
Eleven sculptures range from 3.5 x 2 x 1” to 20 x 9 x 4”
2019
This installation is made up of scavenged pieces of infrastructure from particular neighborhoods in Seattle—namely, Beacon Hill and the International District—where Japanese-Americans were restricted to live as stated in the City’s housing deeds prior to 1968. These defunct asphalt chunks and strewn bric-a-brac, having broken off of once well used buildings and streets, are a product of destruction, where new developments and zoning ideas have taken their place. As they no longer serve their intended purpose, I wanted to rescue and redignify them, calling to attention a present day archeology amidst this rapid rate of tearing down and rebuilding in Seattle.
Each sculpture is a bell. The bell is an ancient Japanese symbol for protection—an essential component that makes up home. I have attached clay tags to all eleven sculptures to further distinguish each with an iconic symbol (kikko, sakura, seigaiha, etc), which render meanings important for living, persevering, and manifesting a worthwhile existence. Regardless of where certain racial and religious groups were restricted to reside, they used their resources and sense of pride and warmth to make their home their own.